All prices are shown excluding VAT
1x Sony FX9 Body
1x Sony FX9 AC Adapter (60W)
1x UK Mains Plug to 3-Pin IEC Kettle Cable
1x UK Mains Plug to 2-Pin Figure 8 Cable
2x XQD - 120GB - 400MB/s - Sony
2x XQD - 240GB - 440MB/s - Sony
1x Sony CFExpress Type B / XQD USB 3.1 Gen2 Card Reader 1 USB-C to USB-C Cable
1x SDI Cable - 30cm
1x SDI Cable - 60cm
1x SDI Cable - 90cm
1x V-Lock Battery - Dual Charger - Hawk-Wood VL-2X2P
2x Hawk-Woods VL-M150 14.4V 150Wh mini V-Lok Lithium Battery
1x Sony FX9 Grip Remote Control
1x Sony FX9 Top Handle
1x Sony FX9 LCD monitor 1 JM - Sony FX9 Eyepiece
1x Shape ( FX9RH ) Sony FX9 Remote Extension Kit
1x Vocas Adapter Plate - USBP MKII
1x Vocas USBP-15 MKII
1x SmallRig VCT Plate
2x Vocas 15mmx210mm Rods 2 SmallRig Rosette Arm (140mm) for Shoulder Rig
1x Smallrig Rosette Handle for Shoulder Rig
1x Sony microphone mount
1x Sunhood (part of eyepiece)
1x 1/4”-20 Flat Head Screws 1 3/8”-16 Flat Head Screws 1 JM - Sony FX9 Rod
1x Sony Rod Clamp
1x Sigma MC-11 EF-E Lens Adapter 1 Client Feedback Form + Pen
Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone.
The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.
The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168. You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder.You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus.
You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module.
The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9.
Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.